I go, ‘Oh, that’s a nice smile she has.’”Īn infectious blast of giggling suggests that Natividad isn’t entirely serious. And let me tell you, I used to love dancing to men because I could visualize them eating me out or fucking me. “Women! I’ve never danced for so many women in my life. “Guess who the biggest supporters are now?” Natividad says, of a postmodern, postfeminist neo-burlesque scene that nobody saw coming back when she was table dancing for your granddad. When she headlines the second day of the ninth annual Vancouver International Burlesque Festival on Friday (May 2), she’ll be performing for a considerably different crowd than the ones that haunted L.A.’s fabled Body Shop in the ’70s, or Austin’s Flash One, a Granville Street temple of tits and ass that used to welcome Ms. She was a two-time Miss Nude Universe winner before beginning her association with Meyer, eventually becoming his partner and muse for 12 years. The woman known to her mother as Francesca Isabel Natividad has been dancing, taking her clothes off, and having some fun since the late ’60s. “Whaddya think, I’m stupid?” Natividad shrieks. I don’t know why these guys want older women, but I love it.”Īnd so? Did he come over? Did they have some fun? “He says, ‘Can I come over and can we have fun?’ And he’s, like, 25. “I went to dinner yesterday with a guy that wanted to fuck me,” says the veteran sex icon, calling the Straight from her home in Los Angeles. They’re both gone, but she’s obviously still going strong.
“Ha! And you know who came up with that line, don’t you?” asks Kitten Natividad, referring to film critic Roger Ebert, who collaborated with Natividad and director Russ Meyer on the 1979 film. Sixty-six-years old, and she’s still-to quote Beneath the Valley of the Ultra-Vixens-hotter than a Mexican’s lunch.
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